Actioning offers us an immediate way in doing so. If the actor plays a real and specific action on each sentence, it immediately enforces a specificity which can give the actor room to play and lead moments more naturally from one to the next.Īs you hopefully know, each actor should have an objective or a desire in the scene that they're playing at trying to get. "Actioning heightens the actor's spontaneity, discouraging him or her from monotonously replicating a tone," they insist. "The action word is a succinct and specific transitive verb which describes what one their character should actually be doing to another character. " By "doing" I don't mean, what they're physically doing in the frame, but "how they are attempting to achieve their objective in the scene." As a director, you have to give your actors homework. If your actor is struggling to deliver the performance you want, it'll help you guide them, simply by knowing what you want their character to be "doing" in the scene. That's where "actions" come in. Marina Caldarone and Maggie Lloyd-Williams, authors of Actions: The Actors' Thesaurus, describe their book as " primarily for actors", but it can be hugely beneficial for directors as well. How do you foster this growth in your actors? As always, it has to arise from the character’s personality. For the actor, the next step lies in finding the gestures and forms of release that are unique to this particular character’s brand of anger. Anger, especially, is a great example of this because it often comes in the form of a release-a discharge of pent-up feelings that have been generating throughout the action of the film. When actors throw around the term "craft," what they really mean is the crafting of circumstances that put the actor in the position to act out an emotion when it is called for in a scene. If their character is angry, what are the psychological steps that drove them to this place of fury?
You should be asking your actor questions about how they've reached that point in their journey. Instead, directors should make sure actors understand the circumstances that their character has gone through in order to get to the emotional point represented in your scene. "When actors throw around the term 'the craft,' what they really mean is the crafting of circumstances that put the actor in the position to act out an emotion when it is called for in a scene." If you've done your part in auditioning and hired a good actor, then they shouldn't need line readings. A line reading is worse, however, because it's nothing more than a quick fix, and you're not getting to the root of the problem. You know it, they know it, and everything goes out the window. The most tell-tale sign that you don't trust an actor to perform up to their abilities is giving them a line reading. When you don't trust them, you're essentially eliminating a collaborator from doing their job on a project.
#Actions for actors how to
You can have all the technical know-how you want, but if you don't know how to direct actors then "it don't mean jack, bud." And the first step in learning to direct actors is learning to trust them. Once youve started using it, youll wonder how you ever managed without it.Don't give your actors line-readings, give them "action-readings."
#Actions for actors full
That is where this app comes inIt is a fully searchable, easy-to-navigate thesaurus of active verbs, that will help you refine your acting choice until you find the action you require to make each line come alive.Features include: A to Z search, and predictive search function Emotional groupings to help you pinpoint the action you require Bookmark, note-making and random word functions Share your actions on social media or by email Full instructions on how to use actioning in rehearsal, plus how to use the appFor actors at all levels and of all ages, Actions: The Actors Thesaurus will revolutionise how you rehearse. In order to play a line truthfully, you need to discover the action that suits that particular situation and that particular line. You need an aim to achieve, and an action selected to help achieve that aim. You need to be doing something with every line. It is perhaps the most widely used and admired book for use in rehearsals today and is now available on your iPhone or iPad to help you find exactly the right action word within seconds.Actors need actions. Based on the best-selling book.Actions: The Actors Thesaurus is a vital tool for actors. A vital, easy-to-use tool for actors that will revolutionise how you rehearse.
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